I have an M box pro with 4 mic channels and four line channels (which I’m uncertain if all 8 can be used separately and simultaneously). On March 20th, 2016 John entered 25th Street Recording in Oakland, CA and did something he had never done before. Its too easy to get fixated on pricey gear(I have killer stuff for a home studio) Time to stop sweating the tech minutiae and lay down and mix more tracks. And with that step, you should … this is a killer Recording session! I have to thank you for making my eyes open at least, and focus on what I need ( even though I don’t record bands, lack of space and confidence basically) and skip the gearslutz syndrome. I. Awesome recording??? I would assume Pro Tools Express would let you bounce tracks down if you somehow needed more? Large diaphragm microphone ( Rode NT-1 ) on a viola These have the best frequency and transient response of any type of microphone, meaning that it can clearly pick up the entire range of high and low frequencies of the instrument when placed well. Hey Graham, this is awesome. Keep those kick in the pants coming….love a good challenge! While it’s possible to track with a dynamic stage microphone, you will get the best results with a quality large-diaphragm condenser microphone or LDC. Thanks again for the time you put into this site. Thanks. Is there anything that you would upgrade ? A little final EQ balance on the mix buss brought things a bit closer to the pro mix. Atheist over here, and I didn’t mind the song. Glory in that, and make a record that will whisper in your fans’ ears. Using a large room is preferred for this sort of project, like a lecture hall or auditorium. Our band are playing a gig tonight (in 8 hours) and will be filming it on my HD Vidcam. Method #1: The Simplest Method- > One microphone The crudest yet acceptable method is to use only one microphone to record the band. Is that how you would normally start from scratch? I’m definitely trying this with my band in a couple weeks. It has several advantages explained by Graham here. The other mic is 12″–18″ away from the guitar at approximately the level of the player’s … hey Graham, i just saw this video and i wonder what’s your configuration? Wow! . I’m pretty sure he doubled it, that’s how he normally gets that kind of effect. What a great teacher! Broadcasting. Avoid rooms with a lot of glass, and keep your single mic far away from any large windows. Here is what will happen if you attempt to record the entire band live:First, you need sufficient number of microphones and cables. I was wondering where that phone was . Pick a space. The iconic software supporting ZM-1 one-mic band recording process gained a lot of new features and became even more user friendly. Depending on the size or makeup of the room you rehearse in, getting the details on every player can be challenging. First I setup the whole band in a room and put headphones on the drummer. Zylia, an industry leader in the field of 3D audio recording and production released today the new version of ZYLIA Studio. I’m going to ‘dive deep’ into your site and become a part of what your doing. If they do sound great, then move the mic around a lot until it sounds good. It motivates me to improve my mixing skills and get the best out of what I have, thanks Graham! After a few years and 100 songs made using multi-track recording I am tired of that practice for the moment. Guitarists may go acoustic. It’s possible that was for a different recording of the song, but that would be my best guess. Recording vo… Thank you Graham! My stuff is the bare bones plug-ins and interface)? It arrived in my inbox today after subscribing to your site. It’s been a lot of help and entertaining as well! And this is another video that proves you are correct. Although most producers here use virtual instruments, I am one of the few who loves recording live. I have Studio One 2, Focusrite Scarlett 2, and KRK Rokit 5s. In taking on this self-imposed challenged I learned a few valuable lessons that I hope will bear fruit in your musical endeavors. Normally the only convenient place for the overheads is against the wall above the drummer, so about 5 feet diagonally up & out from his shoulders. It was critical that I take the mix out to some other speakers and to the car to get some perspective. Another example for the fact that gear isn’t everything . Thom sings lead on this song, so we recorded his vocal first. Would you position the mic the same for a situation as this or would a pair of overheads be a better route to go? Especially the ones you mention. Thanks Graham for all the help you are giving us! I am really tired of retail, and I just wana start making a living off of this. Drummers may want to switch to brushes. I just did a similar mono mic experiment about a week ago on my kit using my Rode NT2a. You can get this Blue Microphones Yeti USB mic for under $140, and it’s made for just this sort of project. Hey Graham, so I have a 6 person band and I am considering buying an 8 channel audio interface for multitrack recording. You’ll probably mic it in a way that captures its brightness and energy. So you have written a couple songs, and now you are ready to record them. This will be a live recording, so breath sounds and creaky floors will be part of it. Do you need two microphones to record in stereo? Or maybe upload the original dry tracks so that we can try to mix it ourselves. Designed by Elegant Themes | Powered by WordPress. Simply enter your email below and we'll send it right away: Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Google+ (Opens in new window). If you didn’t have a track to listen to? The production of your videos and your communication skills are really really good. My current setup consists of a Macbook Pro, M Audio Fast Track with 2 inputs (most often used to record guitar line-in), Sennheiser HD 280 Pro headphones, a USB mic that I got with Guitar Hero World Tour (not sure if there’s another name for it…no mic stand though), a couple of amps, a couple of effects pedals, and a few DAWs incuding Reaper and ProTools SE, but mostly I just stick to GarageBand for whatever reason. One thing, how do you record the electric guitar through an amp simulator without getting latency? Great video… I’ll admit, I get caught up with the gear acquisition syndrome a lot. DO NOT Create a Song Without This Guide... DO NOT Create Another Song Until You Read This Guide.. http://homerecording.com/bbs/equipment-forums/drums-percussion/mono-micing-kit-works-well-sort-357734/, http://therecordingrevolution.com/2011/11/23/recording-my-band-with-only-8-inputs-video/, http://therecordingrevolution.com/2013/05/08/recording-great-vocals-in-two-steps-video/, http://therecordingrevolution.com/2013/05/29/mixing-in-pro-tools-express-video/, The Over-The-Shoulder Drum Mic Technique » The Recording Revolution, Mixing In Pro Tools Express [Video] » The Recording Revolution, 23 Simple Principles to Simplify Home Recording - Start Home Recording, Stop Looking For Complex Solutions In The Studio » The Recording Revolution, Limitations Shmimitations | Home Studio Corner, Less is More (Microphones) | Transient Mobile, The Studio Detox: Pick Only Two Microphones | The Recording Revolution, The Sobering Truth About What We Need Versus What We Buy For The Home Studio | The Recording Revolution, 3 Reasons To Invest In Your Studio Slowly | The Recording Revolution. Im gonna try it some time this month! Positioning the band. I second Alex, a mixing tutorial and dry tracks would be great. A good place to start would be the Neumann TLM 103, a fixed pattern cardioid beauty, with a capsule design based on the brand’s best-known mic – the U 87. And the final product: I am recording in a live dance studio and whilst I could perhaps bring the sound in directly as if it is a mic I was wondering if there was a directional mic setup that I could point at one of the speakers in the room to get the audio as it is in the room whilst at the same time minimising the echo off the studio wall. And I can’t get that sound….. that means I’m using and doing something wrong. Adjust the microphone (ONE) so that it’s about mouth level or slightly higher. That’s what Speedy (my drummer) was listening to when he laid down the drums. What stinks is I am confident in my gear: Pro Tools Le.8, decent laptop, mic stand, acoustic guitar, electric guitar, MIDI Keyboard, and a CAD d19 Snare mic.
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